This Clammoring House

These mountains are the texture on my soul.

I have an unusual relationship with the front range these days. From the hours of eight to eight in the western suburbs of Denver, I only see those hills when I'm headed east. The black boots I wear as a semi-comical testament to our collective manliness usually prop themselves on the head of our pram, squishing my knees up near my chest; the IV bags, the needles, alcohol wipes and band-aids, the intubation equipment and the oxygen, the shiny pointy gadgets used for ugly things: they all bounce along in a cabinet to my right. The heart monitor and the drug kit, maybe a dangling stethoscope and a select few other pre-prepped items have a place of honor on the bench to my left. The pram's newly dressed white sheet stretches from me to those back windows and then, if we're headed east, I get to look at the slow fury of the earth we're leaving behind.

My young memory in this rig has barely had a chance to get up and stumble around on its own in its new bouncy, clammoring house. Yet, exaggeration, lies, self-deception, immense suffering and death all happen at the mountains' feet, that much it can promise you. It remembers also that, once in awhile, a woman in her 82nd year breathes easy, leans back on that white sheet and stares out the back windows, just like you, for a twenty minute ride to a far-off hospital. She chats with the young, know-nothing medic next to her. She's neither restless nor shaken to awkward trivia. She hasn't uttered an insincerity in some time. Silence would be fine by her. Or not. Whatever have you. I try to catch up.

She knows the mountains too. Its where we're closer in age. They give me a texture, a surface disturbed enough to alter stillness and allow the mind to boil when it needs to. She can understand that too. We both can, even as we're headed away from that slow fury of the earth, eastbound, in this clammoring house.

The Great Forests' Paralysis

We use paralytics in medicine sometimes.  Their application saves lives, awarding the contrived airways of science to those unable to protect their own.

Rumor has it, however, that the administration of a paralytic without the accompaniment of rosey glassed forget-me drugs - the heavy sedatives and graceful amnesics - inducts the recipient into the tiny cohort of humans who can or could describe the phenomen of a live burial.  Every sensation remains intact, the voices of your invaders and the steel and drift of their tools fully familiar.  But for the life of the paralytic, some as merciful as twelve minutes others as pernicious as a full hour, the patient forfeits defense, objection, and conscious dignity.

The possibility humbles the caregivers charged with wielding such pharmaceuticals and a reverence for the imperiled bodies on stilled beds before them comes forth. 

One is forced to wonder, standing at the foot of the great red woods, if they do not also know such a paralysis.  Is their two-hundred year old silence, baring the chain teeth of man's saws and the choking fog of his mechanical children, a merciless half-life of Nature's apothecary?  Looking at their skin and their arms numbering in the hundreds, the towering testament to their long lives and the community by which they're surrounded, I fear their useless awareness of their live dissection and their neighbors'.

They swallow lost spirits and reground them, a vocation both they and the monks have found best accomplished in silence.  As caregivers it would suit our want for wisdom to mind the tapered egdes of our tools, our presence in the proximity of lives that notice and witness and feel but do not reach out to us to applaud or curse our craft.

this is very consious.  i assure you.
i would not approach this door otherwise.
conscious and sober, you have me.  what might you say?

There are many thousand buildings burning
in my head.

And i think I'm to blame,
I think,
running in the snow,
they're at my back and i know,
these are my flames.

and I'm happy,
so proud,
I've burned this city down.

the silhouette of a man,
his hands reach for the most fragile gifts from the sky,
oblivious, likely insane,
to the hell he's ignited behind him.

that is me.  conscious and sober.
you have me, what might you say?
ignore the flames or embrace them
whatever you do
what might you say.